All tracks engineered by Danton Supple except "Elvis Ate America" engineered by Howie B. Project assistant: Rob Kirwan.  Assistant on original recording sessions: Lee Philips. Assistant at Metropolis: Ruadhri Cushnan.  Assistant to Howie B: Fiach Cooling.  Editing: Brian Eno & Rob Kirwan.  Studio Crew: Dennis Sheehan, Des Broadbery, Sam O'Sullivan, Fraser McAllister, Dallas Schoo, Stuart Morgan, Rob Kirwan, Rab McAllister.  Studio Co-Ordinator: David Herbert. Recorded and Mixed at Westside Studios (London) and Hanover, Dublin. 

Thanks to Robbie Adams, Marius De Vries, Nick Angel, Gavin Friday, Candice Hanson, Osmond J. Kilkenny III.

Paul McGuinness: Manager of U2.  Anne-Louise Kelly: Album production Manager.  Assisted by Candida Bottaci.  Brian Eno's company is Opal Ltd, London.  Thank you to Anthea Norman-Taylor and James Topham.  Front cover Illustration: Theodor Rotreki c/o Aura-Pont, Prague.  Apple Mapping: Rob Crane. Cutting Floor: Richard Baker. Sleeve and concept by Brian Eno and Cally. 

For those who would argue that this should not fit under the banner of a U2 album, I point towards U2's Best of 1990 - 2000 & B Sides album which features "Miss Sarajevo" and "Your Blue Room".  Obviously U2 consider this an album from their catalog, sowe shall do the same.

The album is a different, more "artistic" album than anything U2 had done before.  It was very experimental and failed to find a large audience.  It was U2's least selling album of the 1990s.  And the lead single, "Miss Sarajevo" failed to chart in North America, causing a second planned single, "Your Blue Room" to be cancelled.  Larry Mullen has gone on record as exclaiming that it was his least favorite U2 project ever.  Rumours circulated for some time that a follow up album was in the works, but now, many years later, it looks like the Passengers project has been put to rest.