I think the transcription of the Vertigo lyrics at
http://www.u2wanderer.org/disco/lyrics.php?id=601 looks good.
Here a few additional comments:
Lights go down
It's dark, the jungle is
Your head can't rule your heart
could be scanned:
Lights go down, it's dark
the jungle is Your head
can't rule your heart
The phenomenon whereby a phrase goes with two lines has been recognised in poetry found in the Bible as well as other ancient texts (and maybe modern ones?). This works here (with a bit of interpretation):
the jungle is your head = the complexity (mess?) of our situation lies in the human heart (e.g., to dismantle an atomic bomb, you'll have to change hearts first of all)
your head can't rule your heart = pretty much equivalent to the idea that a feeling is so much stronger than a thought (e.g., a good argument won't conquer a strong feeling)
If I am right, there is no need for Carl to worry about the fact that "Your head" goes with the first line rhythmically but is required to go (also) with the second line for this second line to make sense - in fact, what sounds at first like music and meaning competing against each other can be interpreted as a clever way to mark the phrase "Your head" as the pivot. Has anyone observed Bono using this device before?
I am not sure about "Your mind may wonder". I seem to hear something like "You might be wonder" which doesn't make a lot of sense but may be meant as "You might be wondered" (if that is acceptable English) - on the theme of what rock musicians can and cannot do. Bono cannot change souls with his music but he can make us wonder about things. Sorry, this is going in the direction of interpretation...
"I can't stand the beats" - I love that line with its ambiguity. (continued by the "check/cheque" ambiguity). I am fairly sure that the "crimson nails" are to be read on two levels and it may be the beats that push these nails into Jesus' body (colouring them crimson) which Bono can't stand. However, like the rivergoat I hear an "f" rather than a "b" (although I do seem to hear the "s" at the end of the word) and "sell" is not entirely out of the question either (selling feats?)...
On the three least distinct phrases. I agree with Carl about the harder sound at the beginning leading us to "check" rather than "should" - mabye "change it"? "Show maiden in yeah" is not bad. I can either hear this or "Showman in there" (without "and")... while none of the offers on the second phrase quite captures what my ears hear: a "ch" sound followed by "a" as in "father" and "s" and then maybe "fall"....